CONTEMPORARY BOLLYWOOD AND HYPER-NATIONALISM / Sanjay K Bissoyi

NARRATIVES OF CASTE IN MARATHI CINEMA / Pritam Kokate

THE FILM MASALA OR THE HYBRIDIZATION OF GENRES AND CULTURES: THE EXAMPLE OF SHOLAY / Marion Poirson-Dechonne

FROM POPULAR NAIR TO HISTORIC NAIR: A STUDY OF SOCIAL, FAMILY AND CONJUGAL RELATIONSHIPS AMONG NAIR COMMUNITY REPRESENTED IN POPULAR MALAYALAM MOVIES / Sreenu Gopan

THE PHANTASMAGORICAL AND ETHNOGRAPHIC WORLD OF AMIT DUTTA / Rahul Sharma

ITALIAN NEOREALIST CINEMA, A PRECURSOR TO INDIAN

PARALLEL CINEMA / Abhishek Kumar Singh

MUSLIM WOMANHOOD IN MALAYALAM CINEMA: THE POLITICS OF MOULDING “SECULAR” MUSLIM WOMEN / Shabana M

CINEMA OF DHARAMSHALA AND BEYOND: AN ETHNOGRAPHIC STUDY OF TIBETANS-IN-EXILE [FILMS OF RITU SARIN AND TENZING SONAM] / Rahul Sharma

JAYAN- THE AFFABLE HERO AND THE PROMISE OF THE CLASS STRUGGLE / Arun Remesh

NONSTEROTYPICAL REPRESENTATION OF WOMEN IN BOLLYWOOD: THE HIPPIE HEROINE / Nandita Banerjee

“CALM THINKING” OF “INDIA FEVER” IN CHINESE FILM

MARKET / Hui Xu

ANÁLISIS DE DILWALE DULHANIA LE JAYENGE / Luisa Moreno Cardenal y David Carabias Galindo

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Citación Chicago
López-Díez, Jaime ed. New Perspectives On Indian Cinema. 1ª ed. Madrid: Dykinson, 2021.

Citación APA
López-Díez, Jaime (ed.) (2021). New Perspectives On Indian Cinema. Dykinson.